Studio album by They Might Be Giants
|First released|| September 25, 1988
Release details / collectors: Show | Hide
|Tracks||18||Last album||They Might Be Giants|
|Label||Bar/None / Restless||Length||39:32||Next album||Flood|
- This page is for They Might Be Giants' second album. For the band of the same name, see Lincoln (Band).
Purchase[edit | edit source]
Description[edit | edit source]
Background[edit | edit source]
For the band's sophomore effort, named after the Johns' hometown of Lincoln, Massachusetts, they worked once again with producer Bill Krauss. This was the last album he produced for the band, which subsequently turned to Clive Langer and Alan Winstanley for the production of Flood. Like They Might Be Giants, the album does not utilize a full band arrangement. Instead, bass and drum tracks are entirely synthetic or sampled, with the exception of "Lie Still, Little Bottle", which uses live drums. The drum tracks recorded for the album were produced with an Alesis HR-16 drum machine.
Packaging[edit | edit source]
- Differences between LP pressings of Lincoln are further elaborated upon here.
The cover of Lincoln is a photograph taken by Carol Kitman of a shrine built by Brian Dewan—perhaps the most well-known in his series of whimsical, secular shrines. Behind the podiums, John Flansburgh's maternal grandfather, Brigadier General Ralph Hospital (right) and John Linnell's paternal great-grandfather, Lewis T. Linnell (left) are pictured. Two slightly different versions of the cover photograph are known to exist: one that was used for domestic releases, and another that was used for all releases outside the United States, with the exception of Australian releases and the Italian CD. The CD cover features only the photograph, whereas the LP cover includes the text THEY MIGHT BE GIANTS, and the cassette adds this and the name of the album. The CD longbox divides the photo into two halves (as the front and back covers).
The majority of domestic Lincoln LPs were packaged with custom inner sleeves, upon which a monochrome photograph of a smaller Lincoln-themed shrine—more of a Lincoln aedicula—was printed (the color of the photograph varied among international releases). Lyrics and credits for the album were also listed on the sleeve. A minority of domestic pressings included the liner notes printed on a separate sheet, rather than the sleeve itself. The LP labels, cassette card, CD, and CD back feature diagrams of an accordion and accordion case, which were drawn by John Linnell.
Charts[edit | edit source]
The album debuted on the Billboard Top Pop Albums chart (now known as the Billboard 200) the week of December 24, 1988 and spent 19 weeks on the chart, peaking at number 89 in 1989. In addition, it produced three singles: "Ana Ng" (1988), "Purple Toupee" (1989), and "They'll Need A Crane" (1989). "Ana Ng", which was the first single by the band to land on any Billboard Chart, spent 9 weeks on the Billboard Modern Rock Tracks Chart, peaking at number 11 in late 1988. The other singles from the album did not chart.
The success of the album paved the way for the band to make the jump from the independent label Bar/None to the major label Elektra in 1989. It also led to its re-release, in its entirety, alongside the Pink Album, on the Restless compilation Then: The Earlier Years.
Track listing[edit | edit source]
|3||Lie Still, Little Bottle||2:06
|5||Cage & Aquarium||1:10
|6||Where Your Eyes Don't Go||3:06
|7||Piece Of Dirt||2:00
|10||The World's Address||2:24
|11||I've Got A Match||2:36
|13||You'll Miss Me||1:53
|14||They'll Need A Crane||2:33
|15||Shoehorn With Teeth||1:13
|16||Stand On Your Own Head||1:16
|17||Snowball In Hell||2:31
|18||Kiss Me, Son Of God||1:54
2013 Australian bonus tracks[edit | edit source]
The 2013 Australian reissue included a selection of B-sides and rarities previously released on Then: The Earlier Years.
Trivia[edit | edit source]
- A part of the Dewan-built shrine from Lincoln's cover can also be seen on the back cover of They'll Need A Crane.
- The vinyl record features lyrics from "Ana Ng" between the run-out grooves on either side of the LP:
- Side 1: "I don't want the world"
- Side 2: "I just want your half"
- Linnell on the back cover artwork: "I think it's a drawing that I made for measurements for my accordion case. If you open it up, on the actual CD, there are pictures of both the case and the accordion. I just did those on yellow legal paper to send to the guy who was building our cases for our first tour, and Flansburgh saved the drawings and we put them on the cover." (Pitchfork, 1996)
- The Italian releases of the album have several significant issues. Details concerning the LP labels are outlined here.
Image gallery[edit | edit source]
Vinyl[edit | edit source]
Cassette[edit | edit source]
CD[edit | edit source]
CD, with diagrams of accordions and a case drawn by John Linnell; some copies are printed in black rather than red
International CD releases[edit | edit source]
Promotional[edit | edit source]
Magazine ad for Elektra's re-release of the album