Keyboard instruments have been an integral part of the They Might Be Giants studio and stage performance since the band's formation. They Might Be Giant's very first show, in Central Park in 1982, included John Linnell playing an electric jazz organ; "Now That I Have Everything", TMBG's first demo, also features an electric keyboard. The majority of They Might Be Giants songs feature either an electric keyboard or some other keyboard instrument. Many early TMBG recordings, including tracks from the 1985 Demo Tape, The Pink Album, and Lincoln were recorded at the Public Access Synthesizer Studio (Studio PASS), where the Johns had access to a large collection of electronic keyboards and rack mounted units, including the Fairlight CMI and Yamaha TX816 (a rack mounted version of the better known DX7).
When They Might Be Giants made the move to a full band lineup in 1992, Kurt Hoffman became their live keyboardist, with Linnell playing accordion or saxophone. However, during the John Henry tour in 1994, John Linnell took over as the primary keyboard player. With the current line-up, guitarist Dan Miller or bassist Danny Weinkauf will occasionally play keyboard live on songs which utilize Linnell to play other instruments, often accordion, saxophone, or bass clarinet.
Setup[edit | edit source]
John Linnell[edit | edit source]
At TMBG's first live show in 1982, which was played under the name El Grupo De Rock And Roll, John Linnell ostensibly played a red Farfisa Combo Compact organ. Farfisa Compacts were popular electronic organs manufactured in the late 1960s, before synthesizers rose to prominence. The same model can be seen in some promotional photographs taken in the 1980s. Before the formation of TMBG, this was also the keyboard Linnell used in performances with The Mundanes, with a monophonic Micromoog mounted above it for solos and leads.
In 1986 Linnell used a Casiotone MT-100 keyboard, notably used on Put Your Hand Inside The Puppet Head.
In 1989, Linnell and Flansburgh each bought their own Casio FZ-1 synthesizers to record Flood. The FZ-1, which was first manufactured in 1987, was a 61-key polyphonic keyboard that also functioned as a sampler. The keyboard can be heard on various Flood tracks, including "Istanbul (Not Constantinople)".
John Linnell's live keyboard rig from 1994 until August 2006 consisted of a black Roland A-30 76-key MIDI controller connected to a rack-mounted synthesizer module. Linnell's current module is an E-Mu Proteus 2000, which was first manufactured in 1998. Prior to this, Linnell would occasionally run the MIDI controller into a Micromoog (for instance, for live performances of "AKA Driver"), but presumably used an earlier rack-mounted synthesizer for the majority performances. The generic keyboard stand Linnell had originally used was replaced in 1998 with a custom stand built by Brian Dewan's music company, Dewan Luxury Products. The same company has constructed all of Linnell's subsequent stands. In late 2002, the rig was expanded to a more complex unit that supported a sampler and effects processor. The next year, the power strip connected to the stand was replaced with a more permanent outlet fixture.
From 2006 to 2007, Linnell switched to a light grey Roland Fantom X6, a 61-key workstation including a touchscreen for instrument sound programming and a pad bank for triggering samples and other sound effects. Due to its relatively small size, the X6 is still occasionally used for in-store performances. It was also the keyboard Dan Miller used on the Here Comes Science tour from fall 2009 to fall 2010.
As of the spring of 2007, Linnell's current keyboard is a light grey Roland Fantom X8, which is Roland's full, 88-key version of the X6. Linnell triggers sound effects using a Roland SP-303 (notably on songs such as "Bed Bed Bed" and "Hot Cha"). The rig also includes a Korg Kaoss Pad KP-2, a small effects processor and MIDI controller that is operated through an XY axis touch pad. The Kaoss Pad appears in a segment called "The Future Of Sound", as well as some songs with spacey effects, such as "Space Suit" and "Robot Parade". It can also be used to process vocals, as heard in Linnell's part of "Tubthumping". Linnell sometimes also employs a sustain pedal (heard in live renditions of "Spider" and "Nothing's Gonna Change My Clothes"). Each unit is downmixed through a Radial JD6 DI box, which goes to PA stereo output.
Since 2007, some minor changes have been made to Linnell's current keyboard stand. A wider wooden support board was added to the top for the spring of 2007 tour to support the larger X8 keyboard. In the summer of 2007, the legs were removed to allow the base sit on top of a traditional metal keyboard stand.
Backing band[edit | edit source]
For the Else tour from 2007 until September 2009, Dan Miller occasionally played a small electronic keyboard. On "Electronic Istanbul", he plays a microKORG, including the microphone and vocoder included with the unit. For the same track, Danny Weinkauf played an Alesis micron. Both these keyboards can be seen in the song's music video.