Interpretations:Moonbeam Rays
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Sendoff[edit]
Seems like a pretty straightforward sendoff to an ex, a somewhat weary "f you" to someone who was generally unfaithful ("All of those times that I missed you / But you weren't missing me", dancing with strangers at night around a bonfire, getting trendy new haircuts, and covering peepholes from prying eyes). The narrator tried to keep the other person from doing this ("You were warned"), but was roundly ignored, and even fed lies like "Baby, don't worry, this is just a period of self-improvement!" So now he's off on a new adventure, and sounding downright happy about it.
I kinda like that the opening stanza could actually seem to be from the perspective of an actual beam of moonlight, though obviously that idea falls apart as the song goes on. --MisterMe (talk) 13:23, 11 November 2021 (EST)
Running Away[edit]
I interpret the song as it being sung in the perspective of someone, perhaps a kid or teenager, running away. They make several pleas to their parents, but they don't listen, so the singer runs away. The last two lines of the first stanza could be saying that after the singer had ran away, they occasionally miss their parents while believing that their parents aren't missing them. The fourth stanza could be describing the singer preparing to run away, as they have the "hallway bulbs and peepholes covered up," so that they aren't caught collecting things like money and trying out new haircuts to disguise themselves. This song could be being sung in the perspective of a spouse or significant other running away, but I see it to be in the perspective of a kid or teenager.
Poverty[edit]
Part of the story of this song seems to be about losing income/going into poverty.
Haircuts in the mirror now/ATMs for a twenty-dollar bill
The singer describes someone (possibly himself, possibly his lover) who can no longer afford to go to a salon for haircuts, and has resorted to cutting their own hair at home "in the mirror". The line "ATMs for a twenty-dollar bill" might be describing how they now need to withdraw only small amounts of money from the ATM. For many people, it would be almost pointless to use an ATM for just $20, but to them this amount of money is precious, and all that they can afford to withdraw at a time.
24.2.202.128 13:17, 16 September 2022 (EDT)
More Than Moving On[edit]
I really love the Sendoff interpretation, but I think this song actually has a lot less of negative energy than I think it first portrays. "You were warned with my pleas / Like a scold were the pleas / You were warned" clearly gives that vibe of like "Why didn't you listen, we had a good thing going", but I think the tone is more somber. Even Flansburgh himself said its a "sad breakup song". I feel like this isn't just a letter to an ex who you're moving on from, but from any loved one that you miss and wish you could get back, but you know you need to let go.
One my favorite lines in the song is "Haircuts in the mirror now", which I imagine as the narrator staring at himself and envisioning his haircut as a fresh start. He's changed, and he needs to accept it. "You at night by the bonfire blaze / Dancing there in the moonbeam rays" is a beautiful image, watching the one you love dance and enjoy themselves when you know you're growing distant. The narrator isn't dancing with them in the moonbeam rays, they're simply an observer. And no matter how many warnings they gave their partner, how many times they talked about the distance that was growing, they still grew apart. I don't this breakup was the fault of the subject of the song, but instead just a natural thing that happened. "Singing out with cicadas now", the narrator can't hear her anymore, she's just a part of the background noise of cicadas. The narrator has moved on and started a new, and they're both better off for it, but it still sucks.--Robot Parade (talk) 11:35, 10 August 2024 (EDT)