Is it just me, or is this song basically just "Hovering Sombrero '07"? It has similar instrumentation, rhythm, and tempo, and the same lyrical themes: personification of inanimate objects and the decay of things over time.
This actually reminded me of Unrelated Thing. I kind of like the idea of the first part about being owned, and the second of being free, but I think they could have done something a bit better with that concept.
It sounds to me like the new version of No Answer. -Mudbuck
To me, it seems to be its own incredible entity. I tried writing out an interpretation, but I can't find the thread connecting each situation and can't penetrate through the strangeness of it... yet for some reason I'm positive that the song isn't void of meaning. Too thick. ~ magbatz
This is what I was thinking, and it might be a stretch.
A man made a recording of his himself talking to be played over and over to keep his dog company after he dies.
During the recording with the mircophone, he is still a live and owns the mic. But the mic is not a live and doesn't know this.
Later the tape is played for his dog after he has died. The dog hears his voice and hears his master's voice, and thinks he is still there and is still owned by the man even though he is free.
- Hallopino
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The recording could be a suicide note. The guy in the first verse seems to be in a distraught state of mind.
The second verse is a slightly modernized reenactment of Francis Barraud's "His Master's Voice", the painting that was the basis for the old Gramophone/RCA Victor mascot.
Yes, the famous painting is being referenced. See this link: His Master's Voice. Summarizing: the dog is really hearing his dead master's voice from the phonograph's trumpet. --Nehushtan 18:27, 1 November 2007 (UTC)
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